Dumbarton Oaks Papers 53 (1999)
John Duffy, “Embellishing the Steps: Elements of Presentation and Style in ‘The Heavenly Ladder’ of John Climacus,” 1–17.
A. R. Littlewood, “The Byzantine Letter of Consolation in the Macedonian and Komnenian Periods,” 19–41.
Tomas Hägg, “Photius as a Reader of Hagiography: Selection and Criticism,” 43–58.
Ruth Webb, “The Aesthetics of Sacred Space: Narrative, Metaphor, and Motion in ‘Ekphraseis’ of Church Buildings,” 59–74.
Alice-Mary Talbot, “Epigrams in Context: Metrical Inscriptions on Art and Architecture of the Palaiologan Era,” 75–90.
Margaret Alexiou, “Ploys of Performance: Games and Play in the Ptochoprodromic Poems,” 91–109.
Panagiotis A. Agapitos, “Dreams and the Spatial Aesthetics of Narrative Presentation in ‘Livistros and Rhodamne,’” 111–47.
Nancy Patterson Sevcenko, “The ‘Vita’ Icon and the Painter as Hagiographer,” 149–65.
Cynthia Hahn, “Narrative on the Golden Altar of Sant’Ambrogio in Milan: Presentation and Reception,” 167–87.
Henry Maguire, “The Profane Aesthetic in Byzantine Art and Literature,” 189–205.
Christian Hannick, “Exégèse, typologie et rhétorique dans l’hymnographie byzantine,” 207–18.
Antony Eastmond, “Narratives of the Fall: Structure and Meaning in the Genesis Frieze at Hagia Sophia, Trebizond,” 219–36.
Mark J. Johnson, “The Lost Royal Portraits of Gerace and Cefalù Cathedrals,” 237–62.
George C. Maniatis, “Organization, Market Structure, and Modus Operandi of the Private Silk Industry in Tenth-Century Byzantium,” 263–332.
C. S. Lightfoot, “The Amorium Project: The 1997 Study Season,” 333–49.
“Constantinople: The Fabric of the City: Dumbarton Oaks Symposium 1998,” 351–52.